<!--quoteo(post=214519:date=Sep 17 2007, 01:18 PM:name=Mercer)--><div class='quotetop'>QUOTE(Mercer @ Sep 17 2007, 01:18 PM) [snapback]214519[/snapback]</div><div class='quotemain'><!--quotec-->I think this should have realistic sea battles, then they become more and more unrealistic finally leading up to the Maelstrom in AWE so the sequel should have an unrealistic battle.<!--QuoteEnd--></div><!--QuoteEEnd-->I would personally suggest having the sequel to AWE be the opposite of the current films: The first films go from realistic to unrealstic, so I would suggest having the sequel to AWE go from unrealistic back to realistic. We don't really need to go even more unrealistic than AWE, do we? I think AWE should be the highest of unrealism we go. Then in the sequel to AWE the film starts out in a crazy pirate world in which Calypso is at large again, but I think as the film progresses the unrealism should be toned down. I would also suggest to have Calypso either be captured in human form again during the film or by some other reason have Calypso tone down the weirdness in the world. Perhaps we could somehow think of some reason why she would leave the Earth of her own accord? Perhaps she went into Davy Jones' Locker (Will Turner's Locker?) to be with Davy? I think the heathen gods that have caused all the supernatural in the world should leave the Earth be at one point in order for the world to become normalish.
<!--quoteo(post=214584:date=Sep 18 2007, 03:17 AM:name=Old Salt)--><div class='quotetop'>QUOTE(Old Salt @ Sep 18 2007, 03:17 AM) [snapback]214584[/snapback]</div><div class='quotemain'><!--quotec-->I thought the slave angle came from the screenwriters, but if not then we don't have to married to it since I agree that outside work doesn't have to be taken as gospel.<!--QuoteEnd--></div><!--QuoteEEnd-->
I think the slave thing came from the screenwriters. I think the semi-official story is as follows:
- Jack works for the EITC and is asked by Beckett to collect a cargo
- The cargo turns out to be slaves and Jack refuses to transport these slaves
- Beckett burns and sinks the Wicked Wench and brands Jack a pirate
- Jack is devastated and swears he will get his ship back even if he has to raise her himself
- Jack almost drowns in an effort to raise the Pearl himself from the bottom of the sea and this is when he meets Davy Jones and makes the deal
The timeline is not entirely clear. Personally I think there should be quite an amount of time between Jack refusing to transport the slaves (or setting them free) and the time the Wicked Wench is sunk. We already have plenty of Black Pearl scenes in the current films, so I would suggest to have the transformation from the Wicked Wench into the Black Pearl take place late in the film, almost at the end so that we have many scenes with the Wicked Wench in the prequel instead.
Also: Did anyone notice the many people in the scenes at Tia Dalma's house-in-the-swamp? Where did they all come from? Who are they? I personally tend to think that these people were the slaves set free by Jack Sparrow, which also makes it clear that Tia Dalma indeed does have something to do with these slaves.
<!--quoteo(post=214587:date=Sep 18 2007, 04:32 AM:name=Mercer)--><div class='quotetop'>QUOTE(Mercer @ Sep 18 2007, 04:32 AM) [snapback]214587[/snapback]</div><div class='quotemain'><!--quotec-->You know it would be more like 5 minutes of suspended disbelief. The Kracken is going to be needed to raise the pearl because Jones sure as heck doesnt know how to use the force. Then Everything plays as planned. Did you see the picture i drew up? That has got to be the WORST handwriting i have used for years, i had to hastily srawl it up, and post it today, so it is there as a reference.<!--QuoteEnd--></div><!--QuoteEEnd-->The Kraken? Good point. Although we should probably not show too much of the Kraken at this point, because DMC should be the Kraken-film. I am also wondering if Davy Jones could somehow call up some sort of reversed whirlpool or geyser or something else to raise the Pearl. I am rather wondering how to show the whole Davy Jones/raising of the Pearl thing without making it seem TOO supernatural. <img src="style_emoticons/<#EMO_DIR#>/rolleyes.gif" style="vertical-align:middle" emoid="
" border="0" alt="rolleyes.gif" />
BTW: Do you really think the Flying Dutchman should be unbeatable? I think the Dutchman should definitely be one of the strongest ships in the world, but I think that with a massive fleet it should be possible to blow her to smithereens. I think the main advantages of the Flying Dutchman are the triple forward chasers (very handy in chases like at the end of DMC), her ability to sail against the wind and especially her ability to submerge and to suddenly show up right next to her target. I also think she has some very big calibre guns so that when she hits enemy ships with her cannon balls, that they do some major damage.
<!--quoteo(post=214584:date=Sep 18 2007, 03:17 AM:name=Old Salt)--><div class='quotetop'>QUOTE(Old Salt @ Sep 18 2007, 03:17 AM) [snapback]214584[/snapback]</div><div class='quotemain'><!--quotec-->I thought the slave angle came from the screenwriters, but if not then we don't have to married to it since I agree that outside work doesn't have to be taken as gospel.<!--QuoteEnd--></div><!--QuoteEEnd-->
I think the slave thing came from the screenwriters. I think the semi-official story is as follows:
- Jack works for the EITC and is asked by Beckett to collect a cargo
- The cargo turns out to be slaves and Jack refuses to transport these slaves
- Beckett burns and sinks the Wicked Wench and brands Jack a pirate
- Jack is devastated and swears he will get his ship back even if he has to raise her himself
- Jack almost drowns in an effort to raise the Pearl himself from the bottom of the sea and this is when he meets Davy Jones and makes the deal
The timeline is not entirely clear. Personally I think there should be quite an amount of time between Jack refusing to transport the slaves (or setting them free) and the time the Wicked Wench is sunk. We already have plenty of Black Pearl scenes in the current films, so I would suggest to have the transformation from the Wicked Wench into the Black Pearl take place late in the film, almost at the end so that we have many scenes with the Wicked Wench in the prequel instead.
Also: Did anyone notice the many people in the scenes at Tia Dalma's house-in-the-swamp? Where did they all come from? Who are they? I personally tend to think that these people were the slaves set free by Jack Sparrow, which also makes it clear that Tia Dalma indeed does have something to do with these slaves.
<!--quoteo(post=214587:date=Sep 18 2007, 04:32 AM:name=Mercer)--><div class='quotetop'>QUOTE(Mercer @ Sep 18 2007, 04:32 AM) [snapback]214587[/snapback]</div><div class='quotemain'><!--quotec-->You know it would be more like 5 minutes of suspended disbelief. The Kracken is going to be needed to raise the pearl because Jones sure as heck doesnt know how to use the force. Then Everything plays as planned. Did you see the picture i drew up? That has got to be the WORST handwriting i have used for years, i had to hastily srawl it up, and post it today, so it is there as a reference.<!--QuoteEnd--></div><!--QuoteEEnd-->The Kraken? Good point. Although we should probably not show too much of the Kraken at this point, because DMC should be the Kraken-film. I am also wondering if Davy Jones could somehow call up some sort of reversed whirlpool or geyser or something else to raise the Pearl. I am rather wondering how to show the whole Davy Jones/raising of the Pearl thing without making it seem TOO supernatural. <img src="style_emoticons/<#EMO_DIR#>/rolleyes.gif" style="vertical-align:middle" emoid="

BTW: Do you really think the Flying Dutchman should be unbeatable? I think the Dutchman should definitely be one of the strongest ships in the world, but I think that with a massive fleet it should be possible to blow her to smithereens. I think the main advantages of the Flying Dutchman are the triple forward chasers (very handy in chases like at the end of DMC), her ability to sail against the wind and especially her ability to submerge and to suddenly show up right next to her target. I also think she has some very big calibre guns so that when she hits enemy ships with her cannon balls, that they do some major damage.