Mates and swabbies all,
I went and saw the movie as well about a week after release. I figured I'd avoid the crowd. Its amazing how few people were in the theater on a Saturday night in a major US east coast city. I payed a litle more for the full 3D experience and thought it well worth it. The 3D technology certainly has matured in the last few years. It was incredible! I saw Avatar in 3D and it blew my socks off. While the experience wasn't Avatar, the effect was nothing short of impressive, especially in some of the more exotic locales as well as the in depth action scenes. At any rate, we had some of the best seats in the house and maybe only 10 other people sharing the experience with us.
My first impression after seeing the film is that it was much more comedic in nature than the others. Whereas the first movie had a dark, mysterious, even ominous quality about the (somewhat believeable) back story that made you take it much more seriously while still enjoying the bits of fantasy and light humor interwoven into the story, - alternatively, this movie was much lighter throughout, which although fun in it's own way, I feel diminished the power of both the overly exagerated antogonist, as well as the seriousness of the protagonist's motivation and mission. In fact I feel that they HAD to exagerate Blackbeard, his ship, his crew, and their special powers in order to offer a commensurate counterpoint to the constant comedy.
As a published historian with an MA in history, I can't help but always find the innacuracies in any period picture or literature. However, as a fan of anything nautical and an eccentric devotee of anything in the Pirate genre, I also appreciate the fantastical and mythical elements present in any legend. Yes, I would even say I have a soft spot for the dime novel qualities of these types of offerings. Yes, I am someone who loves the movies Yellowbeard and the original Roman Polanski's Pirates with a passion. I have always enjoyed the POTC series for their artistic attempts at being living, moving Howard Pyle devotional tributes. That said, this movie is out there on the cusp, but there are still a lot of good piratey and artistic qualities about it that make it worth seeing at least once.
The opening of the film was very good, offering dissonant friction and a very rich historical feel while introducing you to the might of the Spanish court and it's attempt to thwart any successful attempt to find the Fountain of Youth. The London sequence was nothing short of fun, but started the unravelling of any historical succinctness. I started banging my head against the seat when they announced they were taking Jack to the Tower of London. *NOTE: The Tower was reserved for royal prisoners (Guests of State) not common pirates who were most often interred in Newgate Prison. However, this was purposely because the King himself wanted to talk to Jack. You see the King is interested in finding the Fountain of Youth as well.
The scene in the court of George the First was straight out of a Three Muskateers movie. While a lot of the acting in the movie was very good, the King's character was awful and overplayed badly. Overlooking the fact that actor George the First has a overly snobby English accent, even though the real George was a German import - *NOTE: because Parliament refused to have any more Catholics or Stewarts on the throne (George was from Hanover - House of Saxe-Coburg-Gotha, later changed to Windsor to make it sound more English) George succeeded the Dutch King of England William III (Prince Stadtholder of Holland) and he was known to have never learned or spoken English, his exagerated expressions and body language (two thumbs up) was just out there and not funny or believeable. This scene also reintroduces you to Captain Barbossa, now in the pay of the King and sporting an English Naval Captain's uniform as well as a missing leg and crutch (can you say Long John Silver?). Barbossa is commissioned by the King with mounting an expedition to find the Fountain with Jack's resistant help.
The only thing that redeemed this scene was Jack's getaway from the King and it is nothing short of fantastic. Johnny Depp's coordination wowed the audience and his jumping back and forth among all sort of horse drawn conveyances while escaping the King's men will go down in history as one of the POTC movies best scenes ever.
After this scene we are introduced to Jack's new squeeze and Blackbeard's daughter. What are the chances? While I won't spoil the complex and barely plausible plotline here, I will say that here is where the movie stalled. The dialogue became drawn out and unecessary - dramatically taking itself too seriously and wasting space. It seemed like useless filler to me. It was the classical Red Herring fallacy. If we baffle the audience with enough dramatic back story fluff here, maybe the story will be believeable. I'm sorry to say it didn't work. I almost fell asleep.
From here the movie seems to jump from lilly pad to lilly pad with interesting and boring spots - dull....really cool....dull....really cool. The mermaids are pretty cool, but I found their abilities to completely subdue and pull a British Frigate (looked like HMS Rose a.k.a Surprise) to it's doom just plain silly. It would have been way more cool and believeable to have lured it onto shoals or rocks than to just pull the whole thing under the water. The mermaid Serena (hmmm taken from Sirens perhaps) played by the attractive actress Astrid Berges-Frisbey, was very believeable and well played.
Jack's side quest for Ponce de Leon's ship was well done and I especially enjoyed the scene where he finds the decaying wreck of the old Spanish Nao precariously perched high upon a tropical hillside. I couldn't help but draw some similarities her between Stranger Tides and Goonies. One Eyed Willie may have actually been Ponce de Leon. "Not this, - This is for Willie". At this point the movie transitions to the final scenes. I was definately paying attention again, and with the film having a very late climax, was glued to the screen to very end from this point onward.
The final scenes were well done, full of excellent breath taking scenery as we are finally transported to the mystically secret location of the Fountain of Youth. To my surprise, and at the risk of ruining the end, I must mention that the Spanish General's actions at this point were really unexpected, but probably poignantly true to form. I very much enjoyed this twist.
At this point I have failed to talk about Blackbeard and his ship. This is where I was really disappointed in the film. Can you say Disney Hollywood Fubar Fantasy Fruitastic Flim Flam? Historically speaking, this film assassinated the real Edward "Blackbeard" Teach without hardly a thread of authenticity. God rest Edward Teach and the real Queen Anne's Revenge. Ian Mcshane of Deadwood and Pillars of the Earth fame, is brilliant in anything he plays and does this magical zombie making villain credit. Former virgin convent nun and Blackbeard's daughter Angellica is borrowing Jack Sparrow's identity at the beginning of the film and I would say that whatever pirate Ian Mcshane is supposed to be playing does a pretty dreadful job of borrowing Blackbeard's identity. Blackbeard in this movie I feel is a combination of Baron Samedi, Prospero from The Tempest and Darth Vader - he definately knows how to use the Dark Side of the Force. Blackbeard he is not. When he makes his first appearance, they have his beard smoking like the original Gentleman of Fortune was known to do to scare the bejeebeez out of his enemies. After that, there are no further similarities.
Instead of the former "Concord" a 300 ton, twenty gun, slave ship (pierced for forty guns by Teach) built in England about 1710, we are presented a silly monstrosity of a Spanish style galleon of about 1640, guessing 450 tons burthen, with a grossly exagerated stern that was actually built upon the original Black Pearl. This ship is mystically paired to Blackbeard's sword through voodoo incantations and follows his orders magically, with sword controlled cruise control, and living rigging that will snatch up whatever unruly sailors and enemies the sword wielder desires.
The ship also will belch up Greek Fire upon request. Ian Mcshane has rediscovered the secret recipe and delivery means that have eluded so many historians and military inventors since the times of the Byzantines. I was waiting for the ship to fly - thank God it didn't.
Barring all that, the movie had some really appealing themes and aspects. Jack in the end gets what he's been after all along, his beloved Black Pearl, albeit in a bottle. Mcshane's spells have taken every prize and shrunken them into bottles which he stores on board the Queen Anne's Buttocks. I found the ship in the bottle aspect fun and intriguing and enjoyed Jack's looking closely into the bottle at the miniature Pearl tossing and rolling on turbulent glassbound sea. Each time he is assailed through the glass by close-ups of the scowling hiss of the beloved undead monkey that has been a mainstay in all of the POTC movies, that somehow got stuck on board during the spell. My favorite lines from the movie comes from Jack's startled reactions proclaiming how much he hates that monkey. I couldn't help but be dissappointed at the non-climactic end and I was really hoping that Jack would release the Black Pearl from her bottled confines. Maybe next sequel - indeed there are several teasers throughout that there may be another quest and an enduring quality of these movies, like the James Bond franchise, is that it leaves it open ended.
All in all, while they could have done so much more with the material and I blame Disney and Hollywood for not reeling in their idiot writers by making them go back to a history class or two, the movie was a good night out and well worth the watching. Still though, I won't see it again unless it comes on TV, and I won't pick it up on video until the price gets marked down in a year or two. By far, not the best of the POTC movies.
MK
Here's a really good explanation:
http://www.youtube.com/watch?v=NefJFHL0dmY