<!--quoteo(post=232891:date=Jan 8 2008, 01:39 AM:name=Commodore John Paul Jones)--><div class='quotetop'>QUOTE(Commodore John Paul Jones @ Jan 8 2008, 01:39 AM) [snapback]232891[/snapback]</div><div class='quotemain'><!--quotec-->I think the film should start with a lot of "proper" music, like the Beckett theme that uses the harpsichord (sp?) and all, something that sounds large and grand. But as the movie continues, it grows darker and more closely sounds like the EIC themes we here in DMC and AWE, giving the effect of "maybey they arent the <i>Honourable</i> East India Company afterall..." Eventually, we'd switch over to swashbuckling and exciting stuff like 'Up is Down' and sort of mimick Jack's transformation.<!--QuoteEnd--></div><!--QuoteEEnd-->Sounds good. We shouldn't go too dark though. The music for PotC 2 and 3 contributed greatly to the seriousness and drama of those films and I really don't want the for HtC.
<!--quoteo(post=232891:date=Jan 8 2008, 01:39 AM:name=Commodore John Paul Jones)--><div class='quotetop'>QUOTE(Commodore John Paul Jones @ Jan 8 2008, 01:39 AM) [snapback]232891[/snapback]</div><div class='quotemain'><!--quotec-->I think we should also use Davy Jones' theme to an extent, as it sets up his backstory, but it should be stuble and not be as iconic as it is in DMC and AWE.<!--QuoteEnd--></div><!--QuoteEEnd-->It should be in there somewhere, but not very much. Only in the Jack meets Davy scene and then pperhaps in the battle later on. So that's one small statement and one or two bigger ones.
<!--quoteo(post=232941:date=Jan 8 2008, 03:28 AM:name=Mercer)--><div class='quotetop'>QUOTE(Mercer @ Jan 8 2008, 03:28 AM) [snapback]232941[/snapback]</div><div class='quotemain'><!--quotec-->Their battle scenes must have very intense brass variations of the song, try "Just Good Business" from Pieters soundtrack files. Thats a good pile of music that wasnt barely used. I think they WAAAY underused the EITC theme in DMC and AWE. We must take this into account.<!--QuoteEnd--></div><!--QuoteEEnd-->Agreed. The EITC/Beckett theme must be properly used in HtC. "Just Good Business" sounds pretty serious though, so I'm not sure how much of this we should actually use. I think the final battle can be a bit more serious than the rest of the film, so it could go there. But it shouldn't become too serious.
<!--quoteo(post=232941:date=Jan 8 2008, 03:28 AM:name=Mercer)--><div class='quotetop'>QUOTE(Mercer @ Jan 8 2008, 03:28 AM) [snapback]232941[/snapback]</div><div class='quotemain'><!--quotec-->Sparrows theme shouldnt be as...reckless as the other movies, it should be somewhat proper in the beginning, then slackening little by little until the end when it goes straight to Jacks good old theme. I think Jacks theme is one of the best in the entire film. It HASNT been underused.<!--QuoteEnd--></div><!--QuoteEEnd-->What "Jack's Theme" do you mean? "The Medallion Calls" or the "He's a Pirate" main theme? I think the main theme was somewhat underused in PotC 2 and 3, but definitly not in PotC 1. As far as "The Medallion Calls" goes, I think that's a brilliant track and possibly the best-scored scene in the first film. Unfortunately I DO find that music VERY overused. I'd much rather have heard something different during Jack's entrance scenes in PotC 2 and 3. It's like the composer was unable to come up with something new and just reused that old music. Unfortunate; most unfortunate.
<!--quoteo(post=232941:date=Jan 8 2008, 03:28 AM:name=Mercer)--><div class='quotetop'>QUOTE(Mercer @ Jan 8 2008, 03:28 AM) [snapback]232941[/snapback]</div><div class='quotemain'><!--quotec-->We also need a new piece to set an original work for JUST this movie, like the Hoist the Colors theme in AWE.<!--QuoteEnd--></div><!--QuoteEEnd-->New themes are definitly required. Probably Nathaniel Edwards would deserve a theme of his own, considering he is the main new character. Perhaps there could be some interesting development in the theme, with Jack's theme and Nathaniel's theme becoming somewhat more merged as they become friendly, but then they are torn apart again as they both end up on different sides. Then perhaps also a theme for the French pirate. The Beckett/EITC theme would also almost qualify as a "new" theme, because it's so underused in the other films.